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Modular Amps
Rigs & Tones
Do We Really Need More than a 1x12 for Gigs?
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<blockquote data-quote="3 Mile Stone" data-source="post: 11970" data-attributes="member: 259"><p>He put plexi-glass in front of his amps becasue he was so freakin' loud. This echoes back to my original point about being in the mix. Amp too loud = not in the mix (or mix that is way too loud). Mark Ford was doing this when I saw the Black Crowes too. Same story. Mostly guys with non-master volume amps use the plexi-glass trick. It is definately not a means too monitor yourself from what I know. Mostly controls overly loud amps or drums from bleeding into other microphones to keep control of the mix.</p></blockquote><p></p>
[QUOTE="3 Mile Stone, post: 11970, member: 259"] He put plexi-glass in front of his amps becasue he was so freakin' loud. This echoes back to my original point about being in the mix. Amp too loud = not in the mix (or mix that is way too loud). Mark Ford was doing this when I saw the Black Crowes too. Same story. Mostly guys with non-master volume amps use the plexi-glass trick. It is definately not a means too monitor yourself from what I know. Mostly controls overly loud amps or drums from bleeding into other microphones to keep control of the mix. [/QUOTE]
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Modular Amps
Rigs & Tones
Do We Really Need More than a 1x12 for Gigs?
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