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Modular Amps
Synergy Amps & Modules
Lynch and Friedman....the real deal. Check this out!
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<blockquote data-quote="Caine" data-source="post: 32878" data-attributes="member: 213"><p>Okay, lets muddy things up some more... </p><p></p><p>It's been pretty well established that the Brahma is based on George's '68 plexi and he eluded to that in the video clip.</p><p></p><p>I asked George's tech, Gerry about the Super V reference and he said:</p><p></p><p>"What he meant was when the development of the modules began, the Super V laid the groundwork for much of the work ahead. It originally was to emmulate the tone of the early Marshalls with the "cascade" mod (volume II into volume I that a lot of people were doing in the late 70s-early 80s). What developed was a low-gain kind of tone, nothing over the top which is what George had during the early Dokken days. The module then developed into the Grail, Mr. Scary, and the Brahma. But further work on the Super V went into staying in the vintage-era tones of that early Marshall but went further back into trying to get it to sound like the Super Reverb, which is much more raw than the early Marshall tone. They worked on it for quite some time until they arrived on the final design with the tone landing somewhere between a Vox AC30 and the Fender Super Reverb. But to answer your question, the Super V was the first one in development and ended up being the last one completed."</p></blockquote><p></p>
[QUOTE="Caine, post: 32878, member: 213"] Okay, lets muddy things up some more... It's been pretty well established that the Brahma is based on George's '68 plexi and he eluded to that in the video clip. I asked George's tech, Gerry about the Super V reference and he said: "What he meant was when the development of the modules began, the Super V laid the groundwork for much of the work ahead. It originally was to emmulate the tone of the early Marshalls with the "cascade" mod (volume II into volume I that a lot of people were doing in the late 70s-early 80s). What developed was a low-gain kind of tone, nothing over the top which is what George had during the early Dokken days. The module then developed into the Grail, Mr. Scary, and the Brahma. But further work on the Super V went into staying in the vintage-era tones of that early Marshall but went further back into trying to get it to sound like the Super Reverb, which is much more raw than the early Marshall tone. They worked on it for quite some time until they arrived on the final design with the tone landing somewhere between a Vox AC30 and the Fender Super Reverb. But to answer your question, the Super V was the first one in development and ended up being the last one completed." [/QUOTE]
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Modular Amps
Synergy Amps & Modules
Lynch and Friedman....the real deal. Check this out!
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