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<blockquote data-quote="khingpynn" data-source="post: 18519" data-attributes="member: 579"><p>I'd say that pretty much true however George is using his ESP Super V sigs quite frequently these days.</p><p></p><p>For the most part and from what I can gather... these settings are used with George's Bengal Tiger. Having said that... that guitar is no longer "all maple" it has a rosewood neck theses days and GL is preffering that tone overal. The Super V gives a more classic mahogany tone and comes with a Seymour Duncan Pearly Gates and Fat Cat.</p><p></p><p>For the record the all maple gtrs George uses have traditionally been the Bengal and the Kami IV. If you look at all his sigs you will see quite a variety of woods.</p><p></p><p>I find that the Kami IV gets me into a Lynch tone I like but the Kami IV surprisingly not as bright as other all maple guitars I own/have owned.</p><p></p><p>just my two cents... take it for whats it's worth.</p><p></p><p>Craig</p></blockquote><p></p>
[QUOTE="khingpynn, post: 18519, member: 579"] I'd say that pretty much true however George is using his ESP Super V sigs quite frequently these days. For the most part and from what I can gather... these settings are used with George's Bengal Tiger. Having said that... that guitar is no longer "all maple" it has a rosewood neck theses days and GL is preffering that tone overal. The Super V gives a more classic mahogany tone and comes with a Seymour Duncan Pearly Gates and Fat Cat. For the record the all maple gtrs George uses have traditionally been the Bengal and the Kami IV. If you look at all his sigs you will see quite a variety of woods. I find that the Kami IV gets me into a Lynch tone I like but the Kami IV surprisingly not as bright as other all maple guitars I own/have owned. just my two cents... take it for whats it's worth. Craig [/QUOTE]
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