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Message: <blockquote data-quote="Big Daddy" data-source="post: 125995" data-attributes="member: 2903">I'm with rblyn here... The way I have always set my rhythm tone works great for me on solos.  Now a days, I just use a 535-Q Cry Baby for solos and they cut great with another guitar player.  No boost, just the tonal difference makes my solos stand out more than enough to be heard, even with a gain freak - LoD21 <img src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" class="smilie smilie--sprite smilie--sprite7" alt=":p" title="Stick out tongue    :p" loading="lazy" data-shortname=":p" /> - cranking along with me.  For gigs I have always invested in a sound man and he rides the fader just a tad when one of us solos.  I will admit, for recording I do tend to shape the eq a bit differently for solos, but I track with the rhythm tone.  I'm old school Egnater moddded Marshall, didn't have more than one channel for most of my career and now old habits are hard to break <blush>TO each his own <img src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" class="smilie smilie--sprite smilie--sprite1" alt=":)" title="Smile    :)" loading="lazy" data-shortname=":)" />H</blockquote>