Ok, so took a few minutes out of the day to make a quick re-amp using the stems I made for Rob. So here it is:
KsE TEoH
The signal chain was as follows:
Jackson KE-2 -> EMG 85 -> Pacifica -> AD/DAW -> DAW/DA -> Creative Audio Labs MW1 -> Bodenhamer Bloody Murder -> Egnater M4 w/ Jaded Faith Mods Snakebite -> Chandler TG Channel -> AD/DAW -> OwnHammer IncendoSphere Power Amp -> dual send to SM57 Brit Modern 1 and R121 Brit Modern 1 with R121 -6 dB from SM57 -> Out
There was no bus work on this, save for track level EQ and Comp on the drums this is pretty much bone dry, master is just boosting the level with a volume maximizer.
The settings I used on the Snakebite are:
Gain - Maxed
Lead Channel
Venom - Down (On)
Bass - 1:30
Freq - 11:00
Middle - 1:30
Body - Up (Cut)
Treble - 1:30
Fangs - Down (Boost)
Volume - 1:00
The cab was a stock Mesa Recto cab, using IR's I'm shooting this week for an upcoming library:
As indicated above this was an SM57 mixed with an R121. Oh, and this was tracked without so much as a mouse fart, totally silent signal path - yes, you can do this with tube gear and I am making it my focus this year to greatly expound upon the different elements with which to cater to these workflows. Digital modelers and VST's aren't necessary to get top shelf recorded tones without volume/noise, and in my opinion are noticeably inferior to what you can get out of the kind of MTS/M4 setup I am running. To this end, expect IR's from me starting in the summer that have the power amp baked into the cab/speaker/mic, using multiple kinds of tubes. This way us MTS/M4 modular folks will be able to rock the house without breaking the windows, or even wake the baby, where applicable.