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<blockquote data-quote="Mike P" data-source="post: 99830" data-attributes="member: 2263"><p>That's a VERY tough order.</p><p></p><p>Alex used a Marshall 1959 with a Les Paul on all of the records up until Farewell to Kings, when he began using the Roland Jazz Chorus with a 335. He used that combo up until Signals, when he switched to Strats and various solid state amps including the Roland and the GK's. </p><p></p><p>I think your best bet is two modules. Did Anthony ever create a Roland Jazz Chorus module? I thought there was some discussion at one point.</p><p></p><p>Also, Alex began using generous doses of stereo chorus and flanger beginning with Permanent Waves. IMO, there is no "one" Alex tone.</p></blockquote><p></p>
[QUOTE="Mike P, post: 99830, member: 2263"] That's a VERY tough order. Alex used a Marshall 1959 with a Les Paul on all of the records up until Farewell to Kings, when he began using the Roland Jazz Chorus with a 335. He used that combo up until Signals, when he switched to Strats and various solid state amps including the Roland and the GK's. I think your best bet is two modules. Did Anthony ever create a Roland Jazz Chorus module? I thought there was some discussion at one point. Also, Alex began using generous doses of stereo chorus and flanger beginning with Permanent Waves. IMO, there is no "one" Alex tone. [/QUOTE]
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Ultimate Rush Module
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