Here are three recordings of the Vbe Deluxe I just did. A bit rough... no harsh laughter please.
Ideally these would be recorded with an open backed amp, but I was lazy and didn't remove the back from my Tourmaster 2x12 with the stock Egnater Celestions... If I were to use these in a real mix, the bass would be reduced some to make room for a ... bass.
The Vybe and Deluxe voicing both were set the same for gain (12), Bass (10) and Treble (2) as they have a more similar sound. Also both were recorded with an SM57 over a simple drum bit compiled from loops. Guitar was a Warmoth soloist using middle and neck SD hot stack pickups)
Vybe (minimal delay and room to sweeten - zero EQ)
https://soundcloud.com/dossshrop-1/mts-vybe-d-1/s-KJuQl
Deluxe (zero effects added - zero EQ)
https://soundcloud.com/dossshrop-1/mts-vybe-d-2/s-lbQUH
You almost didn't get nuthin (meant to sound petulant ...) on the Pushed voicing, as I haven't really explored it very much. What I found recording it, was it's an entirely different beast, and I kept getting crappy sounding recordings with the SM57 and an EV Cobalt 4, so I took one last shot with a Ribbon mic (a Nady RSM-2) and who the hell knew... it works nicely I think.
The guitar used on the Pushed is a Warmoth Split Jazzmaster with SD P-Rails in P90 mode for rhythm and neck in parallel HB mode.
Pushed (a dash of delay and room added to the mix - zero EQ)
https://soundcloud.com/dossshrop-1/mts-vybe-d-3/s-7ZzAb
Hope these help? I'm not really a blues player which should be obvious, but this was the quickest thing I thought that would be decent.