Brewjangle
New member
- Joined
- May 10, 2015
- Messages
- 3
- Reaction score
- 0
Hi MTS Forum,
These questions are for the users who formerly or currently run a RM50 Combo or head and cab setup. What are your thoughts on the over all tone from module to module playing through each of these? What do you like most about it/What do you like least? What modules sound best to you running open back vs closed back and vise versa? For your style and ears which setup is best overall?
A little background; I've been playing for over 20 years and have had everything from Fender, Crate, Peavey 5105(Original),Line 6, Boogie and even Randall Rm100 and Rm50's before. I have loved aspects of each and still have regret over each one I've sold. However, I find myself coming back to the Randall RM series time and time again for different reasons. I have sold off several pieces of equipment trying to slim down the stock and get back in to the Randall MTS line and I would really appreciate input from seasoned players who have experience with this line and how they are using both in the studio and on stage!
Thanks for your time and input!
-Brewjangle
These questions are for the users who formerly or currently run a RM50 Combo or head and cab setup. What are your thoughts on the over all tone from module to module playing through each of these? What do you like most about it/What do you like least? What modules sound best to you running open back vs closed back and vise versa? For your style and ears which setup is best overall?
A little background; I've been playing for over 20 years and have had everything from Fender, Crate, Peavey 5105(Original),Line 6, Boogie and even Randall Rm100 and Rm50's before. I have loved aspects of each and still have regret over each one I've sold. However, I find myself coming back to the Randall RM series time and time again for different reasons. I have sold off several pieces of equipment trying to slim down the stock and get back in to the Randall MTS line and I would really appreciate input from seasoned players who have experience with this line and how they are using both in the studio and on stage!
Thanks for your time and input!
-Brewjangle