guitarrob said:
Hey Ratkent - care to elaborate on the various characteristics of the power amps you've owned? I'd really like to know your thoughts, and why you kept the VHT over the others. oint, that it may come down to which one I'm able to find at a good price used.
I go for a very Les Paul into Marshall type tone. From slight grit to over the top gain but all with that Marshall vibe. I run one or two 4x12s and sometimes have to play a little quieter than I would like but other times I get to open it up pretty good depending on the venue. So what I have been looking for in a power amp is good tone at different volumes and little or no tweaking of my preamp from place to place. Wasn't sure if it was possible but here are my experiences.
I have to say I didn't care for the Randall much at all. In fact I was almost convinced I had made a mistake going with the RM4 preamp setup because I couldn't get what I wanted. It had EL34s in both sides. At 50 watts a side it was plenty loud but it never really cut like I would have preferred. It was just there. Functional but not too compelling or musical. It felt like it was quietest compared the others I've tried because it just didn't have a lot of life.
I switched to the Mesa 2:90 thinking I needed more punch and headroom. Like you would think, it had lots of headroom and sounded great with the clean modules. It actually sounded good with the gainy modules as well (XTC, KH3, Ultra XL). But for anything in between it was TOO punchy when it was loud yet soulless and boring when it was quiet. I tried all the functions and they all had their pros and cons but I was always tweaking my preamp and effects and was never totally happy for long. There were nights when it could not have sounded any better but it was finicky at best. For someone who plays at a consistent volume this amp would be perfect and can sound incredible.
The Marshall had 5881 tubes and while it was more Marshally than the Mesa, it had a certain sweet spot that was on the loud side. Anything less or more was thin and harsh. The first gig I played it on was a loud one and I thought I was in heaven. It never got any better than that and if I had to play quiet it was almost unbearable. Again, most of my problems with this amp were the vast differences in tone at different volumes.
Finally I got the VHT with EL34s. I should have gone with this one right after the Randall but my negative experience with that amp made me think EL34s might not be the best. The VHT is **** near perfect. Lots of Marshall power amp goodness and great at any volume. The tone just holds together no matter where I play and I can hear it from almost anywhere on stage. My drummer noticed a difference immediately. It's just a musical, "everything where it needs to be" tone.
On a side note, I just put my VHT in the shop because it got fried at a club with bad power. Not the amp's fault. I needed anything to use while repairs are being done so I found a old Peavey Classic 50 in great shape on Craig's List locally and bought it for $120. It sounds really good. I think it would have to be my second choice over the VHT for my applications. It sounds a lot like the VHT but doesn't have as firm a low end. The mids are particularly sweet and it is very much in the Marshall realm.