Big Daddy
Well-known member
I had an interesting opportunity over the last two weeks
I had the opportunity to do a side by side with my MTS stuff ? littered with Jaded Faith Modules ? a Fender 5150 III, a Splawn Quick Rod and a Splawn Nitro. While discussing my findings with another interested board contributor, he thought I should post my opinions on the forum so that others might benefit from the comparisons.
All three amps had one thing in common, a serious lack of weight in the low end department. They were all concussive and had ample thud while palm muting, but big open chords lacked the balls I?m used to from a big old modded Marshall. After listening to the amount of gain they had I?m thinking it probably had something to do with the way they addressed blocking distortion, which must have been an issue considering the amount of gain they had
With the Splawns, I gotta give Rob credit, he really nailed the eq personality of these amps and the gain on the Quickmod is remarkably similar considering the fact that he has to fake all those gain stages with only two preamp tubes
Fender 5150 III Hearing one in my face for the first time ? rather than a recording of one ? I gotta admit I was a bit surprised by the lack of versatility. The clean tones are marvelous, Fender really helped out in this department. The lead channel is obviously the one everyone is using. It has a very unique tone to it. The mids are dry and will cut through the thickest of mixes. The highs compliment the mids well and have a real nice edge to them. The gain is quite over the top, but the lows are out to lunch. Surpisingly ? due to the lack of lows ? it is quite concussive, but when you get the rhythm tone sounding right, solos are brittle and lack warmth. 3 Presence knobs and no Density Circuit? What were they thinking? I got an idea, channel two is basicly useless, get rid of it and give me Density, like the old ones! Just dumb in my opinion. I am told they are reconsidering the omission of the Density. They should. Cool amp, needs lows badly, sounds like I expected it to with the exception of the lows
Quickrod and Nitro. In a similar price range the Splawns sound significantly better than the 5150 III A little less gain, a little more low end, but much more player friendly. The lead boost was nice, but seemed to junk up rhythms with super saturated ? in a bad way ? mids. I preferred the boost off and thought both amps had plenty of gain. The EQ characteristics are a little different between the two, but not so much that one shined over the other. I was a little more partial to the Quickrod, but can?t pin point exactly why. I just liked it better
Overall I thought my RM100 did quite well to hold its own. It seems people just don?t want to believe our MTS stuff sounds quite as good as it does, but for versatility I think our Randalls offer a great value. My SL+ sounds like a Marshall. My Mamba SE sounds like a Framus. My Recto sounds like Boogie, although its heavily modded, so a heavily modded Boogie
Do any of my modules exactly duplicate the original amp? Not quite, but they are so close that the versatility of the MTS line more than makes up for the minor percentage points that they differ.
I?m glad I got a chance to play these amps. I?m even more glad I own MTS
Just food for thought
H
I had the opportunity to do a side by side with my MTS stuff ? littered with Jaded Faith Modules ? a Fender 5150 III, a Splawn Quick Rod and a Splawn Nitro. While discussing my findings with another interested board contributor, he thought I should post my opinions on the forum so that others might benefit from the comparisons.
All three amps had one thing in common, a serious lack of weight in the low end department. They were all concussive and had ample thud while palm muting, but big open chords lacked the balls I?m used to from a big old modded Marshall. After listening to the amount of gain they had I?m thinking it probably had something to do with the way they addressed blocking distortion, which must have been an issue considering the amount of gain they had
With the Splawns, I gotta give Rob credit, he really nailed the eq personality of these amps and the gain on the Quickmod is remarkably similar considering the fact that he has to fake all those gain stages with only two preamp tubes
Fender 5150 III Hearing one in my face for the first time ? rather than a recording of one ? I gotta admit I was a bit surprised by the lack of versatility. The clean tones are marvelous, Fender really helped out in this department. The lead channel is obviously the one everyone is using. It has a very unique tone to it. The mids are dry and will cut through the thickest of mixes. The highs compliment the mids well and have a real nice edge to them. The gain is quite over the top, but the lows are out to lunch. Surpisingly ? due to the lack of lows ? it is quite concussive, but when you get the rhythm tone sounding right, solos are brittle and lack warmth. 3 Presence knobs and no Density Circuit? What were they thinking? I got an idea, channel two is basicly useless, get rid of it and give me Density, like the old ones! Just dumb in my opinion. I am told they are reconsidering the omission of the Density. They should. Cool amp, needs lows badly, sounds like I expected it to with the exception of the lows
Quickrod and Nitro. In a similar price range the Splawns sound significantly better than the 5150 III A little less gain, a little more low end, but much more player friendly. The lead boost was nice, but seemed to junk up rhythms with super saturated ? in a bad way ? mids. I preferred the boost off and thought both amps had plenty of gain. The EQ characteristics are a little different between the two, but not so much that one shined over the other. I was a little more partial to the Quickrod, but can?t pin point exactly why. I just liked it better
Overall I thought my RM100 did quite well to hold its own. It seems people just don?t want to believe our MTS stuff sounds quite as good as it does, but for versatility I think our Randalls offer a great value. My SL+ sounds like a Marshall. My Mamba SE sounds like a Framus. My Recto sounds like Boogie, although its heavily modded, so a heavily modded Boogie
I?m glad I got a chance to play these amps. I?m even more glad I own MTS
Just food for thought
H